Shut it.

What annoys you most about large ensemble rehearsals?

My answer to this question was observed today, yet through a positive reminder.

Here's what I mean. A question arose in our section requiring a second opinion. Instead of bringing the issue to the attention of the conductor, the section member brought his concern to the attention of the principal player. The two musicians had a brief private discussion, the question was addressed, and no rehearsal time was wasted on behalf of an individual issue. This happens countless times throughout a typical rehearsal...

Obvious enough, right?

I wish.

How many times have you experienced, even in high end ensembles, an individual(s) interested in hearing themselves talk, selfishly asking in the middle of intense rehearsing, "excuse me maestro, in measure 347, beat three, should that 16th note be mezzo forte or piu forte?"

Ugha.

When playing in a large ensemble, a group not typically run in a democratic fashion, my personal goal is to avoid any need for verbal interaction with the conductor. It's not personal, but professional and serves the good of all.

Simple rules to follow for the uninitiated:

1. Be prepared.

2. Communicate with section members first, then let the principal player address any issues beyond the section should resolution be needed by the conductor.

3. Your artistic choices should be predetermined but flexible. (See my previous post regarding flexibility).

When in doubt, refer to this list of fines for clarification.

What are your biggest rehearsal pet peeves?

Visit my website at www.jameswdoyle.com